Plato’s Theory of Love: Rationality as Passion
Practical Philosophy November 2001 Volume 4.3 Pages 6-14
Lydia Amir
'I profess to understand nothing but matters of love.'
Socrates in Plato’s Symposium.
When Socrates’ turn to speak comes, he refers to Aristophanes’ theory, but adds something that changes everything: we don’t yearn for the half or the whole unless it is good. By this he means that the motive force in love is a yearning for goodness, not just completion. From this he concludes that love is always directed towards what is good, indeed that goodness itself is the only object of love. When we love something, we are really seeking to possess the goodness which is in it. Not temporarily of course, but permanently. And from there Plato gives his first definition of love: ‘Love is desire for the perpetual possession of the good.’ (Plato, 1951, p. 86)
Everything in this definition is innovative and interesting. First, ‘love is desire’ already articulates a fundamental presupposition, to wit, that human beings are basically acquisitive. Our life is a continuous search for things that will satisfy and fulfil our needs, that will provide happiness. Second, desiring always implies a desire to have what is good. We desire something because we at least think that it will do us some good. Plato always explains whatever we do, desire or strive for, as a direct or circuitous means of acquiring goodness. Since Plato believes that everything, not just human beings, strives for the attainment of some good, the entire universe seems to be continuously in love. Indeed, it is love that makes the world go round, without it nothing could exist. But although all things love, and all men are in some sense lovers, few recognise the object of their love, that which motivates their striving, that which underlies their every desire, that which will ensure ‘perpetual possession’. This object Plato calls the Good or absolute beauty.
Let us say a word about this identification of goodness and beauty. Was not Socrates good but ugly? Can’t a woman be beautiful and mean? Not really, at least not according to Plato. To the Greeks, beauty was a function of harmony; it arose from a harmonious relationship between parts that could not cohere unless they were good for one another. From this Plato concludes that what is truly beautiful must be good and what is truly good must be beautiful.
In order to understand what Plato means by the Good or absolute beauty, some understanding of his theory of Forms is required. Ultimate reality according to Plato is not the world that we perceive with our senses, but some eternal entities, which he calls Forms (ideas). As all things that exist are instances of these essences, knowledge about the world is always knowledge about Forms. The universe being not random but purposive, the highest knowledge shows us how everything strives to attain that which is good for itself and for the fulfilment of its being. Since all things participate in a single world-order, there must be a single good for which they yearn. This is the Good or the Beautiful, absolute goodness or absolute beauty, the highest of the Forms, the ultimate category in terms of which all other realities are to be explained. It is present to all existence in the sense that everything aims for it. But its being is not limited to anything in nature or to nature itself, and the height of love consists in knowing it in its metaphysical purity. Lovers are often carried away by a sense of beauty in the beloved. The greatest love, according to Plato, would disclose the secret beauty in everything, that hidden harmony which directs all beings toward the best of all possible ends. We all wish to elope with absolute beauty, or so Plato thinks. For nothing else would assure the ‘perpetual possession of the good’, because all instances of goodness or beauty are only partial to the highest form, only flickering hints of true and therefore eternal beauty or goodness.
As the supreme object of desire, the Good or the beautiful must be present in all phases of human life. It is what everyone seeks, that for the sake of which everything is sought. But few people recognise it, for in the confusion of their lives human beings know that they have desires, but they do not know what will satisfy them. When hungry, they eat, thinking that food is the object of their desire. But once they have eaten, they desire other things, and so on, till death (hopefully) puts an end to it. They may never realise that all their striving is motivated by a search for beauty and goodness. To that extent, they live in ignorance and are incapable of loving properly.
2. Love as desire for immortality
So important is the notion of ‘perpetual possession’ of the Good, that in the Symposium Socrates modifies his earlier definition: to love beauty is to wish to bring forth in beauty. To possess it perpetually would be to re-create it endlessly. Consequently, love must by its very nature be the love of immortality as well as of the Beautiful. That explains why love is associated with the reproduction of the species. Love issues into a desire to procreate because procreation is our nearest approach to perpetuity. We cherish our children because through them we may partake of the future. Also the sacrifices of heroes stem from a love of fame, which is none other than the love of immortality. Yet the philosopher’s love brings him as close to immortality as possible. When we contemplate absolute beauty with an unfettered soul, we are in contact with the eternal in a way that secures perpetuity. We may never bring forth children nor create works of art or even enact a deed of great importance. Nevertheless, the philosopher’s achievement will be supreme: ‘he will have the privilege of being beloved of God, and becoming, if ever a man can, immortal himself.’ (Plato, 1951, p. 95) He is described in the Republic as follows:
He contemplates a world of unchanging and harmonious order, where reason governs and nothing can do or suffer wrong; and like one who imitates an admired companion, he cannot fail to fashion himself in its likeness. So the philosopher, in constant companionship with the divine order of the world, will reproduce that order in his soul and, so far as man can, become godlike; though here, as elsewhere, there will be scope for detraction.
(Plato, 1941, p. 208)
Also in Phaedrus, the search for absolute good or beauty is considered in terms of problems that the soul faces in becoming immortal. According to Plato’s dualistic view of human nature, the soul is immaterial and indestructible, therefore in itself immortal. But once it descends to the world of nature, it is enclosed with the material casing of a material body. In its original state the soul lived among the gods, enjoying the true being of the eternal Forms. As they become human beings, most souls forget their divine origin. Immersion in matter blunts the awareness of their spiritual source. Nevertheless, that past remains as a state of wholeness to which all men secretly aspire. Though it may act with confusion, the soul wishes to reunite itself with the realm of essences, particularly that absolute good or beauty which shimmers through the world of sense but can be properly enjoyed only in its own domain.
In Plato’s view the nature of the human being is double, an unstable composition of body and soul, each governed by contrary impulses. Each part struggles to move the human being in its own direction, both impelled by the dictates of love, but love for different kinds of objects. The body allows carnal temptations to drag it down to the mire of sensuality. The soul wants to move upward towards its home among the eternal Forms. The latter cares only about the achievement of excellence, through a pure, noble, spiritual relationship that enables both lover and beloved to improve in the search for virtue. Yet human nature finds it easier to follow the lure of the flesh.
In the Symposium love generally appears calm and serene, like Socrates’ character and like the orderly advance towards absolute beauty. In the Phaedrus it is turbulent and overwhelming enough to deserve to be called ‘the divine madness’. Madness can be pathological, resulting from human infirmity. Or it can be, as all creative inspiration is, ‘a divine release of the soul from the yoke of custom and convention’. True love is madness of the latter sort and it is highly desirable. When the enlightened spirit finally wrenches itself from the debasing but pervasive influence of the body, it seems to lose all sense of equilibrium. Actually, it is only regaining freedom and the true sanity of man.
The sight of beauty, which the soul encountered in its previous state but quickly forgot, stirs the spirit anew whenever it appears before the lover. Plato very vividly describes the excitement of the lover who sees in another person an expression of divine beauty:
At first a shudder runs through him, and again the old awe steals over him; then looking upon the face of his beloved as of a god he reverences him, and if he were not afraid of being thought a downright madman, he would sacrifice to his beloved as to the image of a god; then while he gazes on him there is a sort of reaction, and the shudder passes into an unusual heat and perspiration.
(Plato, 1937, p. 225)
We may interpret the reaction as a sexual response, yet this is not what Plato has in mind. He explains through the language of emotion how the soul grows wings. For Platonism, such adoration is the beginning of love. When ascending the ladder of love, the true lover possesses the good by enabling the Good to take possession of him. When this happens, the lover attains knowledge of reality. The path leading to this state is a life-long adventure, yet structured through determined stages. The steps in the ladder of love are described in the next section.
3. The path to successful love
At the beginning of his search, the lover will naturally contemplate physical beauty. He will eventually fall in love with one particular person, whom he finds particularly attractive. Love being ephemeral at this stage, the lover will move from one beautiful person to another. Realising that physical beauty is not limited to any one beloved, he will become a lover of all physical beauty. Therefore he ‘will relax the intensity of his passion for one particular person, because he will realise that such a passion is beneath him and of small account.’ (Plato, 1951, p. 92) This is a beneficial consequence, in Plato’s opinion, because it finally liberates us from the tyranny of the senses.
The next stage is the realisation that beauty of the soul is more valuable than beauty of the body. In the company of good and beautiful souls, which might be trapped in ugly bodies, he will move to the next stage. There he will appreciate social and moral beauty and contemplate the beauty of institutions and noble activities. The fourth stage is the study of science and the acquisition of knowledge. There he will be free at last from any attachment to an individual instance of beauty – whether of body, soul, or society. He will give birth to ‘many beautiful and magnificent sentiments and ideas, until at last, strengthened and increased in stature by his experience, he catches sight of one unique science whose object is the beauty of which I am about to speak.’ (p. 93)
This beauty is absolute beauty. It culminates the mysteries of love as it also reveals the nature of the universe:
‘This beauty is first of all eternal; it neither comes into being nor passes away, neither waxes nor wanes; next, it is not beautiful in part and ugly in part, nor beautiful at one time and ugly at another, not beautiful in this relation and ugly in that, nor beautiful here and ugly there, as varying according to its beholders; nor again will this beauty appear to him like the beauty of a thought or a science, or like beauty which has its seat in something other than itself, be it a living thing or the earth or the sky or anything else whatever; he will see it as absolute, existing alone with itself, unique, eternal, and other beautiful things as partaking of it, yet in such a manner that while they come into being and pass away, it neither undergoes any increase or diminution nor suffers any change.’ (pp. 93-4)
‘The supreme knowledge whose sole object is that absolute beauty’ portrayed above, is the final step in this platonic ladder (pp. 93-4). Plato refused to write about that stage, though he is said to have delivered a lecture on the Good, which left his audience breathless. Success in love is not promised to everyone: it depends ultimately on mysterious forces that defy human comprehension.
The five stages outlined above indicate the direction for the ideal lover, as described in the Symposium. In the Republic, however, dozens of pages are dedicated to the education of the philosopher, which include moral training, scientific education and spiritual discipline. One difference, however, between the view of the ideal lover presented in the Symposium and the Republic and the one presented in Phaedrus is worth mentioning here: in the former, there is a new decision that it is not necessary, or perhaps even possible, for the philosopher to fall out of love and cease to need his special friend. If they are truly lovers of wisdom, the only intercourse that will appeal to them is rational exploration together. If, however, they are men of the second order, their constant proximity may be too much for them and they will find a sexual expression for their love. Being essentially good men, they will indulge in sexual pleasures only very rarely, understanding the regrettable effects that these have on the freedom of the mind in the search of the Forms.
Plato invested great efforts in trying to develop a method that would help us clarifying our desire, and direct it overtly and authentically towards its real objective. For till we realise that all our striving is motivated by a search for beauty and goodness, we live in ignorance and are incapable of loving properly.
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