The palm at the end of the mind, beyond the last thought, rises in the bronze distance. A gold feathered bird sings in the palm, without human meaning, without human feeling, a foreign song. You know then that it is not the reason that makes us happy or unhappy.
The bird sings. Its feathers shine. The palm stands on the edge of space. The wind moves slowly in the branches. The bird's fire-fangled feathers dangle down.

Friday, December 7, 2007

underworld

"Inanna dresses elaborately for the visit, with a turban, a wig, a lapis lazuli necklace, beads upon her breast, the 'pala dress' (the ladyship garment), mascara, pectoral, a golden ring on her hand, and she held a lapis lazuli measuring rod. Perhaps Inanna's garments, unsuitable for a funeral, along with Inanna's haughty behaviour make Ereshkigal suspicious[11].

Following Ereshkigal's instructions, the gatekeeper tells Inanna she may enter the first gate of the underworld, but she must hand over her lapis lazuli measuring rod. She asks why and is told 'It is just the ways of the Underworld'. She obliges and passes through.

Inanna passes through a total of seven gates, each removing a piece of clothing or jewelry she had been wearing at the start of her journey. In Sumerian mythology some forms of burials included burying the deceased with gifts for the gatekeepers and judges of the Underworld to win their favor. Items could also be used as an amulet or protective device so stripping Inanna of each item would leave her more vulnerable to any type of attack.

When she arrives in front of her sister she is naked. "After she had crouched down and had her clothes removed, they were carried away. Then she made her sister Erec-ki-gala rise from her throne, and instead she sat on her throne. The Anna, the seven judges, rendered their decision against her. They looked at her -- it was the look of death. They spoke to her -- it was the speech of anger. They shouted at her -- it was the shout of heavy guilt. The afflicted woman was turned into a corpse. And the corpse was hung on a hook."

Ereškigal's hate for Inanna could be referenced in a few other myths. Ereškigal is seen as an accidental 'black sheep' of sorts. She can not leave her kingdom of the Underworld to join the other 'living' Gods and they can not visit her in the Underworld or else they can never return. Inanna symbolized love (in the sense of eros) and fertility and was the polar opposite of Ereškigal.

Three days and three nights passed and Nincurba following instructions went to Enlil, Nanna, and Enki's temples and demanded they save the Goddess of Love. The first two gods refused saying it was her own mess but Enki was deeply troubled and agreed to help. He created two sexless figures (neither male nor female) named gala-tura and the kur-jara. He instructed they were to appease Ereškigal and when asked what they wanted they were to ask for Inanna's corpse and sprinkle it with the food and water of life.

Things went as Enki said and the gala-tura and the kur-jara were able to revive Inanna. Demons of Ereškigal's followed Inanna out of the underworld and demanded she wasn’t free to go until someone took her place. They first came upon Nincurba and asked to take her. Inanna refused saying she had helped her as she had asked. They next came upon Cara, Inanna's beautician, still in mourning. The demons said they would take them but Inanna refused for he had been there for her. They next came upon Lulal also in mourning. The demons offered to take him but Inanna refused."

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