The palm at the end of the mind, beyond the last thought, rises in the bronze distance. A gold feathered bird sings in the palm, without human meaning, without human feeling, a foreign song. You know then that it is not the reason that makes us happy or unhappy.
The bird sings. Its feathers shine. The palm stands on the edge of space. The wind moves slowly in the branches. The bird's fire-fangled feathers dangle down.

Friday, September 24, 2010

The Drunk Old Woman

Even the old woman likes to lie in the sun
and stretch out her arms. The heat weighs her down,
pressing her small face as it presses the earth.

Of things that burned, only the sun remains.
Men and wine have betrayed her, have consumed
the dark bones in her dress. But the cracked earth
hums like a flame. No call for words now,
no call for regrets. The shimmering day will return
when her young body burned like the sun.

The great hills reappear in her memory,
young and alive, like her body. The look of a man
or the sharp taste of wine can bring back
desire’s tension: a heat hums in her blood
like greenness in grass. Among vineyards and paths
memory becomes flesh. The woman lies still,
eyes closed, enjoying the sky with the body she had.

Beating beneath the cracked earth is a healthier heart,
like a father’s strong chest, like the chest of a man:
she presses a wizened cheek to the ground. Even fathers,
even men, are betrayed when they die. Their flesh,
like hers, is consumed. Neither warm thighs
nor the sharp taste of wine will arouse these men now.

In the sprawling vineyards, the sharp, sweet voice
of the sun whispers through the diaphanous blaze,
as if the air trembled. Grass trembles around her.
The grass is young still, like the heat of the sun.
The dead are young too, while memories live. 
                                                                              
--Cesare Pavese
Translated by Geoffrey Brock

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