The palm at the end of the mind, beyond the last thought, rises in the bronze distance. A gold feathered bird sings in the palm, without human meaning, without human feeling, a foreign song. You know then that it is not the reason that makes us happy or unhappy.
The bird sings. Its feathers shine. The palm stands on the edge of space. The wind moves slowly in the branches. The bird's fire-fangled feathers dangle down.

Sunday, February 20, 2011

The Second Trying

If I could only get hold of the whole of you,   
How could I ever get hold of the whole of you,   
Even more than the most beloved idols,   
More than mountains quarried whole,   
          More than mines   
          Of burning coal,   
Let’s say mines of extinguished coal   
And the breath of day like a fiery furnace.   

If one could get hold of you for all the years,   
How could one get hold of you from all the years,   
How could one lengthen a single arm,   
Like a single branch of an African river,   
As one sees in a dream the Bay of Storms,   
As one sees in a dream a ship that went down,   
The way one imagines a cushion of clouds,   
Lily-clouds as the body’s cushion,   
But though you will it, they will not convey you,   
Do not believe that they will convey you.   

If one could get hold of all-of-the-whole-of-you,   
If one could get hold of you like metal,   
Say like pillars of copper,   
Say like a pillar of purple copper   
(That pillar I remembered last summer)—
And the bottom of the ocean I have never seen,   
And the bottom of the ocean that I can see   
With its thousand heavy thickets of air,   
A thousand and one laden breaths.   

If one could only get hold of the-whole-of-you-now,   
How could you ever be for me what I myself am?  
 
--Dahlia Ravikovitch

Translated by Chana Bloch and Chana Kronfeld

No comments:

Post a Comment