The palm at the end of the mind, beyond the last thought, rises in the bronze distance. A gold feathered bird sings in the palm, without human meaning, without human feeling, a foreign song. You know then that it is not the reason that makes us happy or unhappy.
The bird sings. Its feathers shine. The palm stands on the edge of space. The wind moves slowly in the branches. The bird's fire-fangled feathers dangle down.

Friday, November 18, 2011

Convergences

At sixteen he dismisses his mother with contempt.
She hears with dread the repulsive wave’s approach
and her fifty-year-old body smothers under water.

An old man loses half his weight, as if by stealth,
but finds in his shed his great-grandfather’s knobbly cane,
and hobbles toward youth beside the pond’s swart water.

She listens to the dun-colored whippoorwill’s
three-beat before dawn, and again when dusk
enters the cornfield parched and wanting water.

He imagines but cannot bring himself to believe
that the dead woman enters his house disguised
or that the young rabbi made vin rouge from water.

Within the poem he and she—hot, cold, and luke—
converge into flesh of vowels and consonant bones
or into uncanny affection of earth for water.

--Donald Hall

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