The palm at the end of the mind, beyond the last thought, rises in the bronze distance. A gold feathered bird sings in the palm, without human meaning, without human feeling, a foreign song. You know then that it is not the reason that makes us happy or unhappy.
The bird sings. Its feathers shine. The palm stands on the edge of space. The wind moves slowly in the branches. The bird's fire-fangled feathers dangle down.

Monday, January 9, 2012

Human Beauty

If you write a poem about love...
the love is a bird,

the poem is an origami bird.
If you write a poem about death...

the death is a terrible fire,
the poem is an offering of paper cutout flames

you feed to the fire.
We can see, in these, the space between

our gestures and the power they address
—an insufficiency. And yet a kind of beauty,

a distinctly human beauty. When a winter storm
from out of nowhere hit New York one night

in 1892, the crew at a theater was caught
unloading props: a box

of paper snow for the Christmas scene got dropped
and broken open, and that flash of white

confetti was lost
inside what it was a praise of.

--Albert Goldbarth

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